Artfully Edmonds: Cascadia Museum’s first book hits the market — just in time for gift giving

Author Alain de Botton once said that writing a book is like telling a joke and having to wait two years to know whether or not it was funny.

Cascadia Art Museum’s curator, David F. Martin, has written somewhere in the neighborhood of 10 books, all of which have been well-received. Martin’s books are snapped up not just because they are so well crafted, but also because the subject matter he chooses to write about strikes a chord with an audience hungry to know more about the art of our region.

His latest, Territorial Hues – The Color Print and Washington State 1920 – 1960, a gorgeous, graphic rich, 157-page history of our region’s mid-century contribution to the art of color printmaking, is no exception.

So how is Territorial Hues different? It serves as the first volume in what will be an annual series that Cascadia will publish concurrently with selected exhibits.

“There’s only occasional publication in the Northwest art field, in the last 30 or 40 years not much new ground has been plowed,” says Cascadia Museum founder and board president Lindsey Echelbarger. “It’s always been part of our mission to publish. Ten years from now, there will be a body of work that will allow us to see Northwest regional art in a holistic way.”

Echelbarger presented a copy of the book to the City of Edmonds during the City Council’s Dec. 5 meeting.

Martin, who is currently in Paris, was kind enough to exchange emails. Apparently, he’s been waiting a lot more than two years to gauge the reception of Territorial Hues:

“I had the idea for this book for many years and started researching it around 25 years ago. Many of my sources have passed away since, and I was lucky to start so long ago, as the information would have died with them. Over the years, I had a few local museums interested in the book and the exhibition but they never materialized. When Lindsey [Echelbarger] organized the museum, I had it in mind that I would finally be able to do the project. The idea came mostly from my close friendship with two of the artists, Glen Alps and Danny Pierce. They were frustrated at the lack of recognition they were receiving locally while at the same time, enjoying great reputations outside the area.

The Northwest has an incredible history of printmaking, some of the artists being internationally known and making contributions to various mediums. However, there has never been a print curator at any of the major museums in Western Washington and so prints have not been promoted as they should have been.”

If you’ve been following the progress of Cascadia, you’ve seen a steady increase in awareness and appreciation for what their trying to accomplish there. Membership numbers have doubled from 400 to 800 in just the last year. “It’s nice to witness the enthusiasm. It’s really gratifying — it validates the decision to create the museum with the help of so many people. I’m very happy that the idea resonates,” Echelbarger said.

But even a little over two years after Cascadia opened its doors, many people are just discovering it. It occupies 11,000 square feet of prime commercial real estate, roughly the size of half a grocery store. When people encounter it for the first time, they often exclaim — “Wow! It’s a real museum!” The same thing has happened with the publication — “It’s a real book!”

Waldo Chase, Goat Hunters print

Yes it is. I purchased a copy opening night, opened it the next day and found myself reading it from cover to cover. It’s largely a chronological account that features a large section wedged in the middle about the Chase brothers; two highly productive and fascinating printmakers whose work is currently on display in one of the three main viewing areas of the museum. It’s suffused with hundreds photographs and high-quality reproductions of the prints you’ll see currently on display at the museum.

Hues is truly a valuable and important contribution to the Northwest art world. Its existence ensures that the work of many remarkable printmakers, some of whom have very nearly faded into obscurity, will be remembered and appreciated for generations to come.

Looking for a gift idea for the art lover in your family? Hues is available at the Edmonds Bookshop, the University of Washington bookstore, and the Cascadia Museum gift shop, which is open to the public (without admission to the museum) and has scads of cool stuff. Hues retails for $29.95, with a 10 percent discount for museum members at the gift shop. Martin’s out-of-print work on artist Elizabeth Colborne is currently fetching close to $300 for a used copy, so don’t wait!

The exhibit Territorial Hues ends Jan. 7 — see it if you can. Admission is free during 3rd Thursday Artwalk 5-8 p.m.

Learn more at

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Olympic Ballet Theatre brings The Nutcracker to Edmonds Dec. 15-17.

Friday – Sunday, Dec. 15-17

Dec. 15 – 7 p.m.
Dec. 16 – 2 p.m. & 7 p.m.
Dec. 17 – 5 p.m.

The Nutcracker

Edmonds Center for the Arts
410 4th Ave. N.

The Nutcracker was first performed in St. Petersburg, Russia in 1892. The Olympic Ballet Theatre honors this 125th anniversary with their presentation of this beloved holiday tradition. Tchaikovsky never gets old, and this year’s production boasts some new set design by Seattle Opera’s Philip Lienau.

More information at

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Dec. 8 -23

Fridays & Saturdays: 8 p.m.
Sundays: 2 p.m.

Phoenix Theatre
9673 Firdale Ave
(In Firdale Village)

Twist of the Magi

O’Henry’s iconic and ironic holiday classic gets a remake as the audience is transported to a 1940s radio studio. (See Emily Hill’s review here.) With this adaptation, Managing Director and actor Debra Rich Gettleman gets a writing credit as well. If it’s true to Phoenix form, expect to find yourself laughing out loud in spite of yourself.

Featuring the song stylings of The Twisted Sisters

“If you’ve grown tired of dancing sugarplums and shoeless match girls, this entertaining bit of holiday fare for the whole family is cathartic, goofy fun in a season that sometimes chokes on its own sentiment.” The Arizona Republic.

Tickets at this link.

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Gaston and the Silly Girls. (Photo by Dale Sutton)

Now through Dec. 17

Thursdays – Saturdays: 8 p.m.
Sundays and Saturday, Dec. 16: 2 p.m.

Disney’s Beauty and the Beast

Wade James Theatre
950 Main

This wondrous, crowd-pleasing production is the perfect prescription to chase away gloom. The inanimate objects; the beautiful, aspiring Belle; the ghastly Gaston; the troubled, cursed Beast; and of course, my favorite character, the bookseller! Treat yourself to a flight of fantasy. It’s sure to make you smile. I’ve not seen this presentation of Beauty, but reports from friends are all highly positive.

Tickets at

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George Frederick Handel

Sunday, Dec. 17

7 p.m.

Hallelujah! Handel’s Messiah Sing-a-long

Edmonds United Methodist Church

828 Caspers St.


The Music Ministry team at Edmonds United Methodist invites you into its sanctuary for an evening of festive singing! Join in on your favorite choruses from this great masterwork by George Frederick Handel, led by Director of Music Ministries David Hendrix and organist Hyun-Ja Choi. Bring your own musical score or borrow one from the church library, but all are welcome to participate. In addition to singing along on the choruses, there will be opportunities to hear soloists from the church’s Chancel Choir. Admission is free.

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Friday, Dec. 15
9 p.m.

The Rafael Tranquilo Band

Engel’s Pub
113 5th Ave. S.

Rafael Tranquilo is the lead front man and guitarist for the Rafael Tranquilo Band – A power trio consisting of guitar, bass and drums that fuses rock blues and funk with an alternative and fresh sound. Learn more at

Saturday. Dec. 16
9 p.m.

The Weatherheads

Engel’s Pub
113 5th Ave. S

The Weatherheads are a rock ‘n’ roll dance band, leaning heavily toward ’60s through ’80s songs.

James Spangler

— By James Spangler

When not actively scheming about ways to promote the arts in Edmonds, James Spangler can be found (highly caffeinated) behind the counter of his bookstore on 4th Avenue.

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